{"id":5216,"date":"2022-07-06T13:07:09","date_gmt":"2022-07-06T04:07:09","guid":{"rendered":"https:\/\/ffp.jp\/?p=5216"},"modified":"2024-05-24T17:36:28","modified_gmt":"2024-05-24T08:36:28","slug":"tomoki-ono","status":"publish","type":"post","link":"https:\/\/ffp.jp\/en\/finalist-en\/tomoki-ono\/","title":{"rendered":"Tomoki Ono\u3000Scratches Shine"},"content":{"rendered":"[vc_row css_animation=”fadeIn”][vc_column][wr_vc_titles title_style=”headline-m” padding_top=”padding-top-30″ padding_bottom=”padding-bottom-30″][wr_vc_title title=”Scratches Shine”][\/wr_vc_titles]\"cut03_083\u306e\u30b3\u30d2\u309a\u30fc\"
We sort out flawed objects as \u201cdefective objects\u201d in the hope that the flaws will disappear. However, flaws are the marks of individualities that have been etched by time and experiences. It is a tactile reality that cannot be found in the digital world.<\/span><\/p>\n

In a world where photocopied mass-production promises uniform quality, it is unacceptable to produce products with uneven appearances.
\nEven in cloth production, which began with hand-weaving in the past, even a slight flaw is now unacceptable.
\nBy looking at the value of flaws, we thought it would be a good opportunity to consider various ways of being that are sought after today.
\nI expressed garments in which flaws become patterns and individualities shine through.
\n<\/span><\/p>\n

 <\/p>\n

\u3000\u3000Material:\u00a0 Fabrics in surplus at the family sewing factory (3 types)<\/em>
\n\u3000\u3000\u3000\u3000\u3000\u3000\u3000Binders and pigments formulated to be sharpened<\/em><\/p>\n

\u3000\u3000<\/span>Hair and Makeup by Yuko Terada for SHISEIDO<\/em><\/p>\n

\u3000\u3000Photography by YASUNARI KIKUMA \/ \u00a9\ufe0e FASHION FRONTIER PROGRAM<\/em><\/p>\n

 <\/p>\n

 <\/p>\n

Tomoki Ono<\/p>\n

E-mail\uff1a<\/span> tomoki_ono@piono.jp<\/a><\/span><\/p>\n<\/div>[\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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