{"id":5260,"date":"2022-07-06T13:09:04","date_gmt":"2022-07-06T04:09:04","guid":{"rendered":"https:\/\/ffp.jp\/?p=5260"},"modified":"2025-12-08T20:17:32","modified_gmt":"2025-12-08T11:17:32","slug":"yuriko-wada","status":"publish","type":"post","link":"https:\/\/ffp.jp\/en\/finalist-en\/yuriko-wada\/","title":{"rendered":"Yuriko Wada\u3000MUSUBU \/ One Garment, Multiple Forms"},"content":{"rendered":"[vc_row css_animation=”fadeIn”][vc_column][wr_vc_titles text_align=”text-left” title_style=”headline-xl” padding_top=”padding-top-30″ padding_bottom=”padding-bottom-30″][wr_vc_title title=”FFP2022″][\/wr_vc_titles][vc_empty_space height=”20px”][wr_vc_titles title_style=”headline-m” padding_top=”padding-top-30″ padding_bottom=”padding-bottom-30″][wr_vc_title title=”One Garment, Multiple Forms”][\/wr_vc_titles]\"ffp2022_2021wada\"[vc_empty_space height=”20px”]
By virtually exhibiting designs with a wide variety of patterns using chroma key technology, we minimize sample quantities and engineer to reduce waste throughout the manufacturing process as much as possible. We then produce appropriate quantities by leveraging printing technologies such as digital textile printing and large-format printing.<\/p>\n

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This approach aims to reduce overall waste by minimizing the number of clothing samples, decreasing fabric waste during production, and reducing inventory through made-to-order systems.<\/p>\n

 <\/p>\n

\u3000\u3000Material: Cotton, Polyester<\/span><\/em><\/p>\n

\u3000\u3000Photography by YASUNARI KIKUMA \/ \u00a9\ufe0e FASHION FRONTIER PROGRAM<\/em><\/div>[\/vc_column][\/vc_row][vc_row css_animation=”fadeIn”][vc_column][wr_vc_titles text_align=”text-left” title_style=”headline-xl” padding_top=”padding-top-30″ padding_bottom=”padding-bottom-30″][wr_vc_title title=”FFP2021″][\/wr_vc_titles][vc_empty_space height=”20px”][wr_vc_titles title_style=”headline-m” padding_top=”padding-top-30″ padding_bottom=”padding-bottom-30″][wr_vc_title title=”MUSUBU”][\/wr_vc_titles]\"cut04_071_v2\u306e\u30b3\u30d2\u309a\u30fc\"[vc_empty_space height=”20px”]

Like fashion, the production activities that support graphic design have long been embedded in a mass production and mass consumption structure. In the coming age, the question is how to use limited resources.
\nIn this work, flyers and other materials that have lost their role after the exhibition has ended are pasted together, laminated and crystallized, and combined with surplus threads and strings from production to make clothing.
\nThe accent beads are defined as \u201csocially artificial minerals\u201d produced by people’s economic activities, and the work proposes new possibilities for paper as a \u201cmaterial\u201d rather than a \u201cmedium\u201d for its role.<\/span><\/p>\n

 <\/p>\n

\u3000\u3000Material: Surplus leaflets, surplus paper, surplus yarn, surplus string<\/span><\/em><\/p>\n

\u3000\u3000Hair and Makeup by Nozomi Onda for SHISEIDO<\/em><\/p>\n

\u3000\u3000Photography by YASUNARI KIKUMA \/ \u00a9\ufe0e FASHION FRONTIER PROGRAM<\/em><\/div>[\/vc_column][\/vc_row][vc_row][vc_column]

\n

Yuriko Wada\u3000<\/span><\/p>\n

E-mail\uff1a<\/span> info@paperparade.tokyo<\/span><\/a><\/span><\/p>\n<\/div>[\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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