{"id":5637,"date":"2024-09-06T10:00:23","date_gmt":"2024-09-06T01:00:23","guid":{"rendered":"https:\/\/ffp.jp\/?p=5637"},"modified":"2024-12-05T11:40:10","modified_gmt":"2024-12-05T02:40:10","slug":"lecture4","status":"publish","type":"post","link":"https:\/\/ffp.jp\/en\/news-en\/lecture4\/","title":{"rendered":"Lecture4: What is Luxury in the New Age?"},"content":{"rendered":"[vc_row css_animation=”fadeIn” menu_logo_opt=”st2″ row_padding_bottom=”padding-bottom-50″][vc_column][wr_vc_titles text_align=”text-left” title_style=”headline-m”][wr_vc_title title=”Lecture4: What is Luxury in the New Age?”][\/wr_vc_titles][\/vc_column][\/vc_row][vc_row row_padding_top=”padding-top-50″ row_padding_bottom=”padding-bottom-30″][vc_column]
Lecture 4 was held, and we would like to introduce a part of the lecture and what the semifinalists learned\/new perspectives they noticed.<\/p>\n

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\u3000\u3000Lecturer \/ Theme<\/span><\/p>\n

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Lecturer: Ms. Kaori Nakano (Fashion Historian \/ Author)
\nTheme: What is Luxury in the New Age?<\/p>\n

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\u3000\u3000Profile<\/span><\/p>\n

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Fashion History Creator \/ Author \/President of Kaori Nakano Co.,,Ltd. (Independent Research Institute) \/
\nSpecializes in the Luxury Studies
\n(including Cultural Studies of Fashion, British Studies)
\nbased on the Humanities. Works as a writer, public speaker, educator and business consultant.
\nGraduated from University of Tokyo (Bachelor of Arts, English Literature(1985) \/ Bachelor of Arts, British Studies(1987),
\nthen finished the Graduate Division of the University of Tokyo (Master of Arts, British Studies(1990).
\nAdvanced to the Ph. D course and completed the course work required for a doctoral candidate
\nat the Graduate Division of University of Tokyo(Withdrawal, 1994).
\nWorked as a visiting scholar at the Cambridge University, England (Hughes Hall 1989, Homerton College 1994).
\nPart-time Lecturer of Tokyo University (1996-2001). Professor of Meiji University (2008-2017). Guest Professor of Showa Women’s University (2018-2021).
\nContributed to Branding of Prince Hotels Tokyo City Area as Lecture Consultant to win total 18 stars of Forbes (2017-2022)
\nCo-author of “Decameron about New Luxury” (Cross Media Publishing, 2022).
\nAuthor of “Apparel Innovators\u201d (Nihon Jitsugyo Shuppansha, 2020).
\nAuthor of “Royal Style: History of British Royal Fashion\u201d (Yoshikawa Kobunkan, 2019) etc.<\/p>\n

https:\/\/www.kaori-nakano.com\/profile\/<\/a><\/p>\n

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\u3000\u3000Lecture Outline
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It began as a symbol of the privileges of royalty and aristocracy, and after the French Revolution, it became the mistress economy of the bourgeoisie. Then, it became a part of the gentleman’s culture, where culture and manners became the status quo. The way of luxury, which has been built up like layers of strata, has become “popularized and obsolete” due to the development of the luxury business of advanced capitalism. We took a look at the history from the Middle Ages to the present day, and on that basis, what is the “new luxury” of the future? This was a time to think about the “new luxury” of the future. The keywords are ethics, locality, and humanity. We learned the viewpoint that the luxury of the future is not to show wealth and prestige, but to show truth, goodness, and beauty.<\/p>\n

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\u3000\u3000Key Points Learned<\/span><\/p>\n

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Some of the key points that were learned by the semi-finalists who attended the course and last year’s winners are listed below.<\/p>\n

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A great number of participants said they realized that \u2018the definition of luxury fashion, the way it is, its bearers, and its impact on society differ greatly from period to period and culture to culture.\u2019
\nFrom this, some were impressed to understand that \u2018the New approach to luxury is a call to action on sustainable and ethical systems as craftsmanship\u2019 and others were impressed to learn \u2018what Japanese-style luxury would be like, which gave me confidence in the elements I was looking at, such as materials, traditional techniques, history, and regional development.\u2019 At the same time, one felt that he could propose new ideas through his own designs.
\nFor those who had never had the opportunity to learn about the history of clothing, \u2018all the information was fresh and very educational,\u2019 and \u2018I realized how little I knew and understood about fashion, so I wanted to take this opportunity to begin systematic study,\u2019 she said.
\nFFP allows people to apply even if they have no experience in fashion, and many people have expanded their learning in this way.<\/p>\n

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The \u2018importance of naturally derived materials, inheritance and updating of traditional manufacturing methods, and careful handmade\/craftsmanship in the philosophy of post luxury\u2019 and \u2018many things in common with the traditional Japanese philosophy that has been passed down,\u2019 some felt that this could be a hint to the \u2018exportable \u201cJapanese spirituality and brand power for the world\u201d’ required of future creators.
\nAnother participant said, \u2018The values of luxury are changing from a global perspective, and the future of luxury is changing.\u2019 Some of the participants also incorporated this lecture into their own future career path, saying they wanted to clarify the purpose of their own activities and pursue them.<\/p>\n

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\u3000 FOLLOW US!<\/span><\/p>\n

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We will continue to provide an overview of each lecture and what the semifinalists learned from it.
\nFor the latest information, please follow us on FASHION FRONTIER PROGRAM’s Instagram!<\/p>\n

\u25b6\ufe0e\u25b6\ufe0eFFP Instagram\u3000 https:\/\/www.instagram.com\/ffp.jp\/<\/a> \u3000<\/span><\/div>[\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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