“Responisve Wearables”, looks at the changing role of architects, as architecture is not seen as a built space only, but also as spaces of interaction. And fashion is an area in which people communicate directly with their environment through their clothing. “Responsive Wearables” considers fashion not only as an outer layer but as an extension of the human body, which is referred to as a third skin in this project. The focus is on the tension and synergy between the three-dimensionality of the body and the three-dimensionality around the body. Space, clothing and person are all integrated but independent systems that influence each other.
The project aims to blur the boundaries between nature and technology by combining dynamic designs with aesthetic articulation through various digital fabrication methods. It starts with a motion capture method to transfer human movements to a computer-generated 3D model. In addition, 3D printing is an additive manufacturing process. In this process, a thin layer of liquid thermoplastic polyurethane (TPU) granules is applied to a piece of fabric, creating a physical object from the digital design created. The garment is therefore a physical image of the person´s movement.
The project aims to raise awareness of fabric scraps from the fashion industry and show that they can be used instead of thrown away. One problem with fabric waste is that it is either faulty, damaged or stained. The advantage of the additive manufacturing process used is that the faulty parts of the fabric can be detected and still be used to create a garment. The printed thermoplastic polyurethan (TPU) can be recycled by separating it from the fabric, shredding it back into granules and reusing it for a new garment. Neither the TPU nor the fabric is damaged during this process.
Therefore, no material is wasted. The garment underlines the commitment to leaving a positive ecological footprint through the environmentally conscious additive manufacturing process.
“Responsive Wearables” is a project that explores the role of garments as mediators between the human body and the environment. It suggests that garments can form a third skin that negotiates a space that represents a dynamic of change rather than a single cultural condition. The dress is an experimental investigation and representation of personal space and consumption habits in fashion. The project encourages reflection on values and a re-evaluation of our relationship with the environment. Fashion goes beyond aesthetics and is an integral part of our identity that shapes the world. The project encourages designers to use their creative potential for the benefit of the individual and society.
Material：repurposed eco-lycra, TPU granulate for 3D print, sewing thread
Photography by YASUNARI KIKUMA / ©︎ FASHION FRONTIER PROGRAM
Catalina Tripolt
E-mail：tripoltcatalina1@gmail.com
Instagram：@d.i.n.o.town
